The tiles associated with Peranakan homes tell a story of exchange. This concept continues that idea through a contemporary, personal composition.
01 / THE REFERENCEFloral, flowing, richly glazed.
Historic examples include floral Art Nouveau ornament and richly coloured glazes. The Peranakan Association also documents imports from Europe and later Japan, with a wide range of motifs.
The Peranakan Association ↗02 / THE CONTEXTA heritage of adaptation.
NUS Baba House describes how floral decorative tiles were joined by Chinese auspicious imagery as they became popular in Southeast Asia. The heritage is varied; there is no single universal tile formula.
NUS Museum / Baba House ↗03 / OUR INTERPRETATIONFour layers, one composition.
Six composition families bring large flowers together with coloured fields, interlocking petals, star medallions and rich borders. Each uses the same four-layer reveal and coordinated colour roles.
These are original digital studies inspired by the references, not reproductions of historic tiles. The four-layer structure is our proposed design system.
04 / PERSONALISATIONA journey becomes a visual signature.
Future visitor encounters can shape the composition, bloom, pattern, ornaments, border and palette. This prototype simulates those outcomes without defining the interactions or collecting visitor data.
6 composition families × 6⁴ layer combinations × 8 palettes = 62,208 complete combinations. Personalised does not yet mean globally unique.
Next stage: develop the motif collection with a Peranakan design collaborator, refine the visitor mapping, and validate the physical display.